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| Journal | Issue | Title | |
| Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
| Sebastian Diaz-Gasca | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
| Sebastian Diaz-Gasca | |||
| Journal of Applied Linguistics and Professional Practice | Vol 13 No. 1-3 (2016) Special Volume on Researching and Impacting Professional Practice: In Memory of Chris Candlin | Collaboration between applied linguists and professional experts: An interdisciplinary perspective | View |
| Maurizio Gotti | |||
| Journal of Applied Linguistics and Professional Practice | Vol 13 No. 1-3 (2016) Special Volume on Researching and Impacting Professional Practice: In Memory of Chris Candlin | Conversation words in art and design practice: A corpus-based ethnography | View |
| Darryl Hocking | |||
| Implicit Religion | Vol 21 No. 1 (2018) | Playing the Myth: Video Games as Contemporary Mythology | View |
| Vivian Asimos | |||
| Linguistics and the Human Sciences | Vol 12 No. 1 (2016) | Appraisal in history: Construals of significance, fortune, and status | View |
| Gordon Myskow | |||
| Linguistics and the Human Sciences | Vol 13 No. 1-2 (2017) | A functional projection from visual contrast to mode: Creating building blocks for reading multimodal visual narrative | View |
| Xiran Yang | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 10 No. 1-2 (2019) Special Issue: Books as Bodies and Sacred Beings | Aspiring Narratives of Previous Births in Written and Visual Media from Ancient Gandhāra | View |
| Jason Neelis | |||
| Writing & Pedagogy | Vol 11 No. 3 (2019) Special Issue: Writing as resistance in an age of demagoguery | Writing as resistance in an age of demagoguery | View |
| Christian W. Chun | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
| Samuel Horlor | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
| Ioannis Tsioulakis | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
| Colin Harte | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Equinox eBooks Publishing | Language in Action | 10. Building and Enhancing Intercultural Communication in Museum Spaces through SFL and Translation Studies | View |
| Marina Manfredi | |||
| Equinox eBooks Publishing | The Use and Dissemination of Religious Knowledge in Antiquity | Introduction | View |
| Catherine Hezser | |||
| Equinox eBooks Publishing | Books as Bodies and as Sacred Beings | Aspiring Narratives of Previous Births: An Interdisciplinary Approach to Written and Visual Media in Ancient Gandhara | View |
| Jason Neelis | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Sound Ties, ‘Rising from the Depths of Brine and Regions of Fire Deeper Still’: Knowing through Popular Music in the Western Pacific Island World | View |
| Birgit Abels | |||
| Sociolinguistic Studies | Vol 11 No. 1 (2017) | Prescriptivism, nation, and style: The role of nonclassical elements in the stylistic stratification of Modern Hebrew | View |
| Uri Mor | |||
| Fieldwork in Religion | Vol 2 No. 3 (2006) | Healing in the Barquinha Religion | View |
| Christian Frenopoulo | |||
| Gender and Language | Vol 1 No. 1 (2013) V1: Corpus approaches to Gender and Language | ‘But her language skills shifted the family dynamics dramatically’ Language, gender and the construction of publics in two British newspapers | View |
| Sally Johnson, Astrid Ensslin | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | The record and its label: Identifying, marketing, dividing, collecting | View |
| Richard Osborne | |||
| Popular Music History | Vol 3 No. 2 (2008) | It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music | View |
| Pete Dale | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Sociolinguistic Studies | Vol 3 No. 2 (2002) Estudios de Sociolingüística 3.2 2002 | Functions and strategies of male humour in cross-gender interactions | View |
| Sonia Álvarez-López | |||
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