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Journal | Issue | Title | |
Equinox eBooks Publishing | Prophets and Prophecy in the Qur'an | Stories of prophets in the exegetical literature: individual and spiritual perspectives | View |
Anthony Johns | |||
Equinox eBooks Publishing | Prophets and Prophecy in the Qur'an | Preface | View |
Anthony Johns | |||
Journal for the Study of Religion, Nature and Culture | Vol 7 No. 3 (2013) | Disaster Movies and the ‘Peak Oil’ Movement: Does Popular Culture Encourage Eco-Apocalyptic Beliefs in the United States? | View |
Matthew Schneider-Mayerson | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence | View |
Ken Prouty | |||
International Journal of Speech Language and the Law | Vol 11 No. 1 (2004) | Establishing the structure of police evidentiary interviews with suspects | View |
Georgina Heydon | |||
Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
Nick Braae | |||
Equinox eBooks Publishing | Social and Cognitive Perspectives on the Sermon on the Mount | 7. Parables in the Sermon on the Mount: A Cognitive and Rhetorical Perspective | View |
Lauri Thuren | |||
Communication & Medicine | Vol 11 No. 2 (2014) | The collective voice: Legitimation strategies in focus group discussions with nurses in municipal palliative care for older people in Sweden | View |
Henrik Rahm, Magdalena Andersson, Anna-Karin Edberg | |||
Journal for the Study of Religion, Nature and Culture | Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality | Spirituality and Resistance: Ursula Le Guin’s The Word for World is Forest and the Film Avatar | View |
David Barnhill | |||
Linguistics and the Human Sciences | Vol 13 No. 1-2 (2017) | Text complexity as an indicator of translational style: A case study | View |
Hailing Yu, Canzhong Wu | |||
Bulletin for the Study of Religion | Vol 39 No. 3 (2010) | Biblioblogging, 'Religion', and the Manufacturing of Catastrophe | View |
James Crossley | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima | View |
Elonda Clay | |||
Fieldwork in Religion | Vol 5 No. 2 (2010) | Fieldwork on East Asian Buddhism: Toward a Person-Centered Approach | View |
Gareth Fisher | |||
Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
Equinox eBooks Publishing | The Hunt for Ancient Israel | The Joseph Story: Between a Family and a Polemical Story | View |
Yairah Amit | |||
Mediation Theory and Practice | Vol 2 No. 2 (2017) | A listener’s stance-taking in mediation | View |
Matthew Bruce Ingram, Madeline M. Maxwell | |||
Comparative Islamic Studies | Vol 5 No. 2 (2009) | Jewish, Christian, and Muslim attitudes toward Animals | View |
Carol Bakhos | |||
International Journal for the Study of New Religions | Vol 5 No. 2 (2014) | Spiritual Tourism and Frontier Esotericism at Mount Shasta, California | View |
Madeline Duntley | |||
Religious Studies and Theology | Vol 40 No. 2 (2021) Special Issue: Canadian Jewish Women Writers | From Budapest to Montreal: Intergenerational Interlacing in Kalman-Naves’ Shoshanna’s Story | View |
Simone Grossman | |||
Communication & Medicine | Vol 5 No. 2 (2008) | The call to Hawaii: Holistic practitioners’ perspectives of their communicative practices of healing | View |
Patricia Geist-Martin, Catherine Becker, Summer Carnett, Katherine Slauta | |||
Communication & Medicine | Vol 7 No. 1 (2010) | Constructing and negotiating ‘change’ in follow-up meetings for intimately violent men | View |
Terhi Partanen, Jarl Wahlström, Juha Holma | |||
International Journal for the Study of New Religions | Vol 1 No. 2 (2010) | How old is the Wine? Ningen Zen Kyōdan and the Formation of Lay Zen Practice in Modern Japan | View |
Erez Joskovich | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) | View |
David Pacun | |||
Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
Nathan Platte | |||
Implicit Religion | Vol 10 No. 1 (2007) | The Implicit Religion of Organs: Transformative Experiences, Enduring Connections and Sensuous Nations | View |
Arlene Macdonald | |||
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