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Journal | Issue | Title | |
Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Elliott, Richard. 2013. Nina Simone. Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp | View |
Diane Hughes | |||
Journal for the Academic Study of Religion | Vol 29 No. 1 (2016) | Kermani, Navid, God Is Beautiful: The Aesthetic Experience of the Quran, trans. Tony Crawford. Polity Press, Cambridge, 2015, pp. 464, ISBN: 9780745651675 | View |
George Archer | |||
Perfect Beat | Vol 17 No. 2 (2016) | Overell, Rosemary. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. London: Palgrave Macmillan. ISBN 978-1-13740-676-7 (hbk). 211 pp. | View |
Dexter L. Thomas Jr | |||
Perfect Beat | Vol 18 No. 2 (2017) | David Toop. 2016. Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970. New York and London: Bloomsbury. ISBN 978-1-5013-1451-3 (hbk), 978-1-6289-2769-6 (pbk). 330 pp. | View |
Alf Arvidsson | |||
Perfect Beat | Vol 17 No. 1 (2016) | Wang, Oliver. 2015. Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area. Durham, NC: Duke University Press. ISBN 978-0-8223-7548-7 (pbk). 218 pp | View |
Niel Scobie | |||
Perfect Beat | Vol 17 No. 1 (2016) | Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp | View |
Ariane Gruet-Pelchat | |||
Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
Anna Szemere | |||
Equinox eBooks Publishing | Language in Action | Introduction | View |
María Estela Brisk, Mary Schleppegrell | |||
Journal for the Academic Study of Religion | Vol 33 No. 2 (2020) Special Issue on Modern Thinking in Islam | S. Brent Plate (ed.), Film and Religion: Critical Concepts in Media and Cultural Studies. | View |
Anton Karl Kozlovic | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
Clifford Hill Korman | |||
Writing & Pedagogy | Vol 1 No. 2 (2009) | Semi-Automated Analysis of a Thesis | View |
Oliver Mason, Martha C. Pennington | |||
Writing & Pedagogy | Vol 3 No. 2 (2011) | Book Review: Effective Second Language Writing Susan Kasten (ed.) (2010) Alexandria, Virginia: TESOL. pp. 219 ISBN: 978-193118563-9 | View |
Dawn Fyn | |||
Writing & Pedagogy | Vol 4 No. 1 (2012) | “Does this Mean We’re Cyborgs Too?”: Teaching Multimedia Memoir to English Majors | View |
Sara P. Hillin | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
Rebecca FÜlÖP | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns | View |
Michael Beckerman, William H. Rosar | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
Judith Bernanke | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) | View |
Emma Baulch | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) | View |
Imani Sanga | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 | View |
Chris Ealham | |||
Journal of Applied Linguistics and Professional Practice | Vol 10 No. 1 (2013) | Rhetorical and pragmalinguistic features of business correspondence: The case of sales letters in intercultural business communication in Kazakhstan | View |
Aliya Aimoldina, Sholpan Zharkynbekova | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) | View |
Jun Zubillaga-Pow | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
Hyunjoon Shin | |||
Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Pick out the jams: Curation and independent record shops | View |
Lee Ann Fullington | |||
Journal of World Popular Music | Vol 8 No. 2 (2021) | Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music. | View |
Nasim Ahmadian | |||
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