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| Journal | Issue | Title | |
| Writing & Pedagogy | Vol 10 No. 1-2 (2018) | Contested or complementary? Mingling between two distinct writing pedagogies for genre instruction in one EFL undergraduate writing course | View |
| Yi-Hsuan Gloria Lo, Ying-Hsueh Cheng | |||
| International Journal of Speech Language and the Law | Vol 12 No. 1 (2005) | Acquiring authority through the acquisition of genre: Latinas, intertextuality and violence | View |
| Shonna Trinch | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
| Brent Keogh | |||
| Linguistics and the Human Sciences | Vol 2 No. 2 (2006) | Genre as Ideological Mediation: Whose Topics? Whose Face Systems? Whose Socialisation Strategies? | View |
| Tom Bartlett | |||
| Linguistics and the Human Sciences | Vol 5 No. 1 (2009) | The Genre of Foyers in the Contemporary Highrise: A Study of Harry Seidler's Work | View |
| Robert James McMurtrie | |||
| Writing & Pedagogy | Vol 8 No. 1 (2016) | A genre-instantiation approach to teaching English for Specific Academic Purposes: Student writing in Business, Economics and Engineering | View |
| Sheena Gardner | |||
| Journal of Applied Linguistics and Professional Practice | Vol 12 No. 3 (2015) | The reception of US student motivation letters: The function, form and significance of the genre in the Spanish university discourse community | View |
| María Jesús Fernández-Gil | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
| Loes Rusch | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Matt Brennan, When Genres Collide: Down Beat, Rolling Stone and the Struggle between Jazz and Rock. | View |
| Jeremiah Spillane | |||
| Religious Studies and Theology | Vol 37 No. 1 (2018) | Textbook Gods: Genre, Text and Teaching Religious Studies, edited by Bengt-Ove Andreassen and James R. Lewis | View |
| Edgar Schmidt | |||
| Equinox eBooks Publishing | Ludomusicology | Palimpsest, Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts’ 'Need for Speed Shift 2: Unleashed' | View |
| Stephen Baysted | |||
| Linguistics and the Human Sciences | Vol 6 No. 1-3 (2010) | Genre- and culture-specific aspects of evaluation: Insights from the contrastive analysis of English and Italian online property advertising | View |
| Gabrina Pounds | |||
| International Journal of Speech Language and the Law | Vol 19 No. 1 (2012) | An applied genre analysis of civil judgments: the case of Mainland China | View |
| Zhengrui Han | |||
| Equinox eBooks Publishing | Queering Language, Gender and Sexuality | 7. The Other Kind of Coming Out: Transgender People and the Coming out Narrative Genre | View |
| Lal Zimman | |||
| Journal for the Academic Study of Religion | Vol 25 No. 2 (2012) Religion and Postcolonialism | The Autoethnographic Genre and Buddhist Studies: Reflections of a Postcolonial ‘Western Buddhist’ Convert | View |
| Edwin Ng | |||
| Communication & Medicine | Vol 11 No. 1 (2014) | ‘If it didn't work the first time, we can try it again’: Conditionals as a grounding device in a genre of illness discourse | View |
| Heidrun Dorgeloh | |||
| International Journal of Speech Language and the Law | Vol 20 No. 1 (2013) | Stylistic variation within genre conventions in the Enron email corpus: developing a textsensitive methodology for authorship research | View |
| David Wright | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Writing & Pedagogy | Vol 11 No. 2 (2019) | Using the Genre-based Approach in Teaching Chinese Written Composition to South Asian Ethnic Minority Students in Hong Kong | View |
| Mark Shiu-kee Shum, Dan Shi, Xian-han Huang, Chung-pui Tai, Wan-shan Yung | |||
| Sociolinguistic Studies | Vol 2 No. 2 (2008) | Complaint stories revisited: the "masculine" performance of a "feminine" narrative genre in a conversation among Galician men | View |
| Virginia Acuña Ferreira | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music | View |
| Jonathan P. J. Stock | |||
| Writing & Pedagogy | Vol 8 No. 1 (2016) | Academic literacy and student diversity: The case for inclusive practice Ursula Wingate (2015) and Genre-based automated writing evaluation for L2 research writing: From design to evaluation and enhancement Elena Cotos (2014) | View |
| Carrie Aldrich, Amanda Gallogly | |||
| Linguistics and the Human Sciences | Vol 10 No. 3 (2014) | Learning to Write. Reading to Learn. Genre, Knowledge and Pedagogy in the Sydney School David Rose and Jim R. Martin | View |
| Caroline Liberg | |||
| Communication & Medicine | Vol 12 No. 2-3 (2015) Telemedicine/e-health as mediated communication | Exploring web-mediated communication: A genre-based linguistic study for new patterns of doctor–patient interaction in online environment | View |
| Marianna Zummo | |||
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