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Journal | Issue | Title | |
Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
Nedim Hassan | |||
Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
Mike Jones | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal and the deafening threat of the apolitical | View |
Niall Scott | |||
Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
Richard Coopey | |||
Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
Dave Laing, Andy Linehan | |||
Sociolinguistic Studies | Vol 2 No. 2 (2008) | Selves and Identities in Narrative and Discourse. Michael Bamberg, Anna. de Fina and Deborah. Schiffrin (eds) (2007) | View |
David Block | |||
Sociolinguistic Studies | Vol 2 No. 2 (2008) | Language, Culture and Identity: An Ethnolinguistic Perspective. Philip Riley (2007) | View |
Gaëlle Planchenault | |||
Sociolinguistic Studies | Vol 3 No. 1 (2009) | Literacies, global and local. Mastin Prinsloo and Mike Baynham (eds) (2008) Amsterdam/Philadelphia: John Benjamins pp. 218 ISBN 978-902720-518-6 | View |
Vally Lytra | |||
Sociolinguistic Studies | Vol 3 No. 3 (2009) Language shift in West Africa | Sociolinguistic Consequences of Language Shift in Anglophone West African Literature | View |
Edmund O. Bamiro | |||
Sociolinguistic Studies | Vol 4 No. 3 (2010) Second strings and linguistic connections: bilingual and bilinguistic explorations. Dedicated to Professor Michel Blanc | Multilingualism in the Movies: Hollywood Characters and Their Language Choices. Lukas Bleichenbacher (2008). Tübingen: Francke Verlag. 236 pp. ISBN 9783772082702 | View |
Gaëlle Planchenault | |||
Sociolinguistic Studies | Vol 8 No. 1 (2014) The Influence of English on U.S. Spanish | Swearing: A Cross-Cultural Linguistic Study. Magnus Ljung (2011) Houndmills, Basingstoke: Palgrave Macmillan. Pp. 240 ISBN: 9780230576315 (Hardback) | View |
Nooshin Shakiba | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta | View |
Stephane Dorin | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. | View |
Tom Sykes | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | K. Heather Pinson, The Jazz Image: Seeing Music Through Herman Leonard’s Photography. Jackson, MS: University Press of Mississippi, 2010. 240 pp. ISBN 978- 1604734942 (hbk) £29.74. | View |
Paul McIntyre | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Ellen Johnson, Jazz Child: A Portrait of Sheila Jordan. Lanham, MD: Rowman & Littlefield, 2014. xvii + 234 pp. ISBN 978-0-8108-8837-1 (e-book). $54.99 | View |
James Aldridge | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. | View |
Stephane Dorin | |||
Writing & Pedagogy | Vol 1 No. 2 (2009) | The Influence of Revision on First Person Pronoun Use in Thesis Writing | View |
Suganthi Priscilla John | |||
Writing & Pedagogy | Vol 6 No. 1 (2014) | Extreme Puppet Theater as a Tool for Writing Pedagogy at K-University Levels | View |
Mark Spitzer | |||
Writing & Pedagogy | Vol 7 No. 1 (2015) | Literacy as Translingual Practice: Between Communities and Classrooms A. Suresh Canagarajah (ed.) (2013) London and New York, Routledge. pp. 256 ISBN-13, 978-0415524674 | View |
Peter I. De Costa | |||
Communication & Medicine | Vol 9 No. 1 (2012) | The discursive self-construction of suicidal help seekers in computer-mediated discourse | View |
Irit Kupferberg, Izhak Gilat | |||
Journal of Film Music | Vol 2 No. 1 (2007) | James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] | View |
David Cooper | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. | View |
Michael Remson | |||
Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
Tim Summers | |||
Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
Shane Homan | |||
Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
Henry Johnson | |||
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