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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Identity, Multilingualism and CALL | Introduction to the Volume: On the State of Identity Research in CALL | View |
| Liudmila Klimanova | |||
| Equinox eBooks Publishing | Worth More than Many Sparrows | Farm to (School)table: The Cultivation of Paideia in the Gospel of Thomas | View |
| Ian Brown | |||
| Equinox eBooks Publishing | Identity, Politics and the Study of Islam | 7. A Modest Proposal for Islamic Studies | View |
| Devin Stewart | |||
| Journal of Applied Linguistics | Vol 1 No. 3 (2004) | Testing the visible: literate biases in oral language testing | View |
| Rebecca Hughes | |||
| Comparative Islamic Studies | Vol 2 No. 2 (2006) | “The best of you will not strike:” Al-Shafi‘i on Qur’an, Sunnah, and Wife-Beating | View |
| Kecia Ali | |||
| Fieldwork in Religion | Vol 6 No. 2 (2011) ‘Qualitative methods for the study of contemporary religion’ | Contemporary Spirituality and the Making of Religious Experience: Studying the Social in an Individualized Religiosity | View |
| Peter Versteeg, Johan Roeland | |||
| Implicit Religion | Vol 17 No. 2 (2014) | The Engineer is Professionally a Person of Faith: A Theological-Historical Perspective | View |
| Ton Meijknecht | |||
| Implicit Religion | Vol 18 No. 4 (2015) | Explicit and Implicit Religion in Doctor Who and Star Trek | View |
| James F. McGrath | |||
| Implicit Religion | Vol 18 No. 4 (2015) | The Doctor’s Original Face: Watching Doctor Who Episodes as Buddhist Koans | View |
| Ann Matsuuchi, Alexander Lozupone | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 1 (2005) | 'Gospel Thrillers' | View |
| Andrew S. Jacobs | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 5 No. 1 (2009) | Scriptures, Myths, and Power: The Bible at Work - Chapter One: Signifying Scriptures | View |
| Burton Mack | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 5 No. 2 (2009) | ‘Rise Up, Ye Women’: Harriet Jacobs & the Bible | View |
| Emerson B. Powery | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The ‘double controversy’ of Christian metal | View |
| Marcus Moberg | |||
| Sociolinguistic Studies | Vol 5 No. 3 (2011) Vol 5, No 3 (2011): Language beyond the nation: a comparative approach to policies and discourses | La francophonie et ses contradictions: multiples positions, multiples intérêts [The francophonie and its contradictions: multiple positions, multiple interests] | View |
| Monica Heller | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival | View |
| Alison Caroline Eales | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s | View |
| Aleisha Ward | |||
| Writing & Pedagogy | Vol 1 No. 2 (2009) | Empowering the Apprentice Academic: Teaching Writing at Postgraduate Level | View |
| Annette Frances Sachtleben, Pat Strauss, Elizabeth Turner | |||
| Writing & Pedagogy | Vol 6 No. 3 (2014) | Who Wins? First Grade Authors Do! | View |
| Rebecca G Harper | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | Enlightenment Females and Freemasonry: Contributions by the Fairer Sex to the Freemasons’ Magazine with Newly Discovered Links to the Freemasons’ Female Charity in England | View |
| Susan Snell | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” | View |
| Lora Matthews | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Whose Classical Music? Reflections on Film Adaptation | View |
| Lawrence Kramer | |||
| Perfect Beat | Vol 15 No. 1 (2014) | German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? | View |
| Andrew Wright Hurley | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THE DIDJERIDU AND THE OVERDUB Technologising and Transposing Aural Images of Aboriginality | View |
| Karl Neuenfeldt | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival | View |
| Jilli Streit-Warburton | |||
| Perfect Beat | Vol 3 No. 4 (1998) | CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style | View |
| DENNIS CROWDY | |||
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