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| Journal | Issue | Title | |
| Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 2 (2012) | A Lodge of Sorrow for King Leopold I of Belgium (1866): Masonic Patriotism and Spirituality on Trial | View |
| Jeffrey Tyssens | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | The Power of the Past: Inventing Traditions in Early Amsterdam Freemasonry | View |
| Joost Jonker | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns | View |
| Michael Beckerman, William H. Rosar | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
| Tomoko Deguchi | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" | View |
| David Cooper, Ian Sapiro | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
| Ronald Rodman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
| Erin Michelle Brooks | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Emo online: networks of sociality/networks of exclusion | View |
| Rosemary Overell | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung | View |
| James Mitchell | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
| Eugene Dairianathan | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Youth, radio and Australian popular music policy | View |
| Chris K. Wilson | |||
| Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
| Andrew Wright Hurley | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Perfect Beat | Vol 8 No. 3 (2007) | ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs | View |
| KIRSTEN ZEMKE-WHITE | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 3 No. 3 (1997) | INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | View |
| KARL NEUENFELDT | |||
| Perfect Beat | Vol 3 No. 2 (1997) | CITING THE SOUND - New Zealand lndie Rock in North America | View |
| GEOFF STAHL | |||
| Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 3 (1995) | A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River | View |
| ADRIAN MCNEIL | |||
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