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Table of Contents
Frontispiece
| Akedah |
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| Susan Glickman | i–ii |
Foreword
| Editor’s Foreword: Special Issue: Canadian Jewish Women Writers |
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| Catherine Caufield | 137–138 |
Articles
| Echo in The Winter Vault: Anne Michaels’s Dialogic Imagination |
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| Michael Greenstein | 139–154 |
| Of the Body: Lineage and Threshold in Anne Michaels’s Correspondences, All We Saw and Infinite Gradation |
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| Connie T. Braun | 155–173 |
| Retaining Information and Knowledge in Human Memory in Mishnahic and Talmudic Periods: Historical, Cultural, and Practical Aspects |
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| Abraham Ofir Shemesh | 174–202 |
| The Unreliable Narrator: A Literary Study of Traumatic Experience through Chava Rosenfarb’s Rella Character |
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| Catherine Caufield | 203–216 |
| An Irresistible Temptation: Exploring Character Patterns in Sigal Samuel’s The Mystics of Mile End |
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| Jesse Toufexis | 217–233 |
| From Budapest to Montreal: Intergenerational Interlacing in Kalman-Naves’ Shoshanna’s Story |
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| Simone Grossman | 234–246 |
Reflections from the Field
| A Writer’s Journey |
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| Anne Dublin | 247–253 |
| Reflections on Being a “Jewish Canadian Woman Writer” |
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| Susan Glickman | 254–259 |
| Writing With a Yiddisher Kop |
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| Robin McGrath | 260–264 |
| Reflections on Home and Identity |
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| Isa Milman | 272–273 |
Book Reviews
| Nautilus and Bone, by Lisa Richter. |
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| Michael Greenstein | 272–273 |
| No Better Home?: Jews, Canada, and the Sense of Belonging, edited by David S. Koffman. |
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| Justin Jaron Lewis | 274–275 |
| Reading Revelation after Supersessionism: An Apocalyptic Journey of Socially Identifying John’s Multi-Ethnic Ekklesia with the Ekklesia of Israel, by Ralph Korner. |
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| Lorenzo DiTommaso | 276–277 |
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