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Journal | Issue | Title | |
Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Marianne and Anarchy: The Artistic Legacy of the Paris Commune in New Caledonia | View |
Louis Lagarde | |||
Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Beyond the Property Paradigm: Fragments for an Anarchist Approach to Archaeological Heritage | View |
David Pacifico | |||
Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 1 (2012) | ‘Father’ Upchurch: A Founding Myth and a Founder’s Cult in American Fraternalism | View |
Jeffrey Tyssens | |||
PentecoStudies | Vol 19 No. 2 (2020) | From the United States to the World, Passing through Rome: Reflections on the Catholic Charismatic Movement | View |
Valentina Ciciliot | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
William H. Rosar | |||
Journal for Research into Freemasonry and Fraternalism | Vol 6 No. 1 (2015) | Crossing Gender and Colour Lines in American Fraternalism: A Study on Joseph W. Kinsley (1843–1905) | View |
Jeffrey Tyssens | |||
Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
Kathryn Hill | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still | View |
E. Todd Flegel | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
Britta Sweers | |||
Journal of Interactional Research in Communication Disorders | Vol 9 No. 1 (2018) | Otherness in the Clinical Borderlands | View |
Dana Kovarsky | |||
Equinox eBooks Publishing | Critical Theory and Early Christianity | 12. Recapitulating the Event: Reading Irenaeus with Badiou | View |
Hollis Phelps | |||
Journal for the Study of Religion, Nature and Culture | Vol 9 No. 2 (2004) Ecotheology 9.2 August 2004 | Debt, Epistemology and Ecotheology | View |
Philip Goodchild | |||
Journal for the Study of Religion, Nature and Culture | Vol 9 No. 3 (2004) Ecotheology 9.3 December 2004 | Christianity and Ecological Ethics: The Significance of Process Thought and a Panexperientialist Critique of Strong Anthropocentrism | View |
Jan Deckers | |||
Equinox eBooks Publishing | The History of European Jazz | 5. The Netherlands | View |
Bert Vuijsje | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Martin Carthy’s rhythms | View |
Charles Ford | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal and the deafening threat of the apolitical | View |
Niall Scott | |||
Popular Music History | Vol 9 No. 2 (2014) | ‘What would they know about Green Onions?’: Musical lifestyles of 1960s London mods | View |
Robert Wyndham Nicholls | |||
Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | “Because Other People Have Done It”: Coin-Trees and the Aesthetics of Imitation | View |
Ceri Houlbrook | |||
Journal of Skyscape Archaeology | Vol 1 No. 1 (2015) | The Pleiades and Scorpius in Barasana Cosmology | View |
Stephen Hugh-Jones | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
Nina Menezes | |||
Equinox eBooks Publishing | Religion and Senses of Place | Ji Aya Nu: Gurdwaras as Refuge and Target in the Islamophobic World Order | View |
Tavleen Kaur | |||
Buddhist Studies Review | Vol 30 No. 1 (2013) | The Saṅgha of Noble Sāvakas, with Particular Reference to their Trainee Member, the Person ‘Practising for the Realization of the Stream-entry-fruit’ | View |
Peter Harvey | |||
Buddhist Studies Review | Vol 29 No. 2 (2012) | ‘I’ without ‘I am’: On the Presence of Subjectivity in Early Buddhism, in the Light of Transcendental Phenomenology | View |
Khristos Nizamis | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much | View |
James Wierzbicki | |||
Perfect Beat | Vol 4 No. 3 (1999) | FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll | View |
PETER DOYLE | |||
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