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| Journal | Issue | Title | |
| Writing & Pedagogy | Vol 6 No. 3 (2014) | Reflections on Effective Writing Instruction: The Value of Expectations, Engagement, Feedback, Data, and Sociocultural Instructional Practices | View |
| Kara Mitchell Viesca, Kim Hutchison | |||
| Writing & Pedagogy | Vol 8 No. 1 (2016) | Collaborative script writing for a digital media project | View |
| Lindsay Miller | |||
| Communication & Medicine | Vol 9 No. 3 (2012) | Attempting to standardise ethical review within the complexity of health-related research | View |
| Rosemary De Luca | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Caryl Flinn: The New German Cinema: Music, History,and the Matter of StyleBerkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2] | View |
| Anjelica Fenner, | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. | View |
| Jennifer Matthews | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Orchestrating the Waterfront Dispute: Music and Discourse in Bastard Boys | View |
| Rebecca Dawn Coyle | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate | View |
| GEOFF KING | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Mackinlay, E (2007) Disturbances and Dislocations: Understanding Teaching and Learning Experiences in Indigenous Australian Women’s Music and Dance, European University Studies Series XI Education, Vol. 932, Bern: Peter Lang | View |
| ROBIN RYAN | |||
| Perfect Beat | Vol 3 No. 4 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Perfect Beat | Vol 2 No. 4 (1996) | MUSIC ARCHIVE FOR THE PACIFIC | View |
| MICHAEL HANNAN | |||
| Perfect Beat | Vol 2 No. 3 (1995) | Traffic -An Introduction | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
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