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Journal | Issue | Title | |
Communication & Medicine | Vol 9 No. 2 (2012) | Configuring the caller in ambiguous encounters: Volunteer handling of calls to Samaritans emotional support services | View |
Kristian Pollock, John Moore, Catherine Coveney, Sarah Armstrong | |||
Communication & Medicine | Vol 10 No. 2 (2013) | Misunderstandings, communicative expectations and resources in illness narratives: Insights from beyond interview transcripts | View |
Jamie Murdoch, Charlotte Salter, Jane Cross, Fiona Poland | |||
Communication & Medicine | Vol 11 No. 1 (2014) | Drowning in negativism, self-hate, doubt, madness: Linguistic insights into Sylvia Plath’s experience of depression | View |
Zsófia Demjén | |||
Communication & Medicine | Vol 11 No. 2 (2014) | ‘Autism itself actually isn’t a disability’: Negotiating a ‘normal’ versus ‘abnormal’ autistic identity | View |
Jessica Nina Lester, Khalid Karim, Michelle O'Reilly | |||
Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 2 (2012) | Freemasons and the Press in 1860s Brisbane | View |
Howard Le Couteur | |||
Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | An Historical Geography of Louis Goaziou and the Early Years of L’Ordre Maçonnique Mixte et International ‘Le Droit Humain’, American Federation of Human Rights: the Significance of the Industrial Monongahela Valley of Western Pennsylvania | View |
John Slifko | |||
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 1 (2014) Freemasonry and Empire | Andy Durr (1939-2014) | View |
Bob James | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | The Logic of Concert Keys | View |
Leith Stevens † | |||
Journal of Film Music | Vol 2 No. 1 (2007) | “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) | View |
Anthony Bushard | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. | View |
Michael Remson | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. | View |
Paul A. Merkley | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. | View |
Christine Lee Gengaro | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples | View |
Matthew Brown | |||
Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
Michael Remson | |||
Journal of Film Music | Vol 4 No. 1 (2011) | Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. | View |
James L. Zychowicz | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
Jörg Jewanski | |||
Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
Mark Durrand | |||
Perfect Beat | Vol 12 No. 1 (2011) | Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung | View |
James Mitchell | |||
Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
Emma Baulch | |||
Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
Eugene Dairianathan | |||
Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
Qian Wang | |||
Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
Qian Wang | |||
Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
Chris Gibson | |||
Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
Philip Hayward | |||
Perfect Beat | Vol 1 No. 2 (1993) | LOOKING OUT An interview with Kev Carmody | View |
Rob Johnson | |||
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